‘It is clear that the Eurovision has become a battleground for the debate over gender identity and the boundaries of acceptability in the public sphere. Today, it seems, nothing is off-limits, and performers are encouraged to push the boundaries of what is considered socially acceptable. This anything-goes mentality has led to a competition where the weird and the wacky reign supreme, and where acts that would have been unthinkable in the past are now celebrated and applauded.’